Morning, everyone!

If you’re reading this post on my website, you may have noticed a few changes around here. Yes I’ve finally, FINALLY updated my website. And about time, too — the last time I did anything with my site it was 2007, I was about to release my third book, and there was no such thing as Twitter (or maybe there was, but I don’t think I was on it yet). All of which is to say, the times were very different and the organizational layout of my site reflected that.

It simply wasn’t set up to handle the needs of a career that had three different series, standalones, short stories set both in the series and out of the series, half a dozen non-fiction books, social media, multimedia, e-books, and all the various and sundry other things I have going on now, six years later. Every time I wanted to add a new book, I had to add it in about seven different places (a books page, a series page, the page for the individual book), and if it was a crossover — like a unicorn short story — I had to add it in all those places on the short story page as well as on the unicorn page as well as on individual pages for both… in short, it was a nightmare.

(Though this weekend has been a nightmare, too — but hopefully a nightmare I only have to deal with once.)

If yo are a debut author, I recommend taking these thoughts into account while designing your website. I can’t tell you how many conversations I had with designers who wanted to design a site “based on the theme of your book cover.” My response? “I have ten covers.” My very first website was “based on the theme of my book cover” which then changed so radically before the hardcover hit the shelves that it actually ended up clashing terribly with the cover (and then clashed even more terribly when they changed things for the paperback).

But color schemes are actually pretty minor in the scheme of things. Organization turns out to be much more important as your career progresses. To figure out what I wanted, I looked at a lot of sites belonging to writers who have dozens of books out, sites like Kelley Armstrong’s and Bella Andre’s.  I’m a writer who not only has multiple series, but works in multiple genres and for multiple markets. Some writers who do so choose to have entirely separate sites (i.e., “go here for my YA, here for my adult novels.”) I chose not to do that. But I still have to find a way to make sure people are finding what they want.

So, as you may guess, it’s a really, really big changeover, and I’ve only figured out about half of the things I need to fix and futz with to get the new website and organizational structure where I want it to be. I appreciate your patience. What I’m doing right now is taking on one big website task a day, and devoting the rest of my day to writing, which of course, should always be the priority. Gotta get you guys some nice new books to read, right?

But the great news is that once that’s all done, my website will be ever so much more functional for the way people use the internet now — everything will be likeable and shareable on the social media site of your choice, my facebook and twitter and pinterest links are all up there for your perusal, and I’m going to have a fabulous new newsletter (see the sign up link right there at the top) which will be oh so functional and chock full of giveaways and freebies and secret info you will get before anyone else.

So make sure you sign up for that. Because I do have secret, y’all. So. Many. Secrets.

And meanwhile, welcome to the new dianapeterfreund.com.

Posted in fabulosity 7 Comments

FREDERICK BOOK FESTIVAL

Saturday, May 18, 2013
E-ventplex the Home of the Great Frederick Fair, 797 East Patrick Street


11:00 AM – 12:00 PM Tent C: Emerging Trends in Young Adult Fiction

Join four amazing young adult authors as they discussion the emerging trends in young adult fiction: Amanda Brice, Jennifer L. Armentrout, Miranda Kenneally, Jodi Meadows, Diana Peterfreund
Moderator: Pintip Dunn

1:00 PM – 2:00 PM, Tent C: The YA Dating Game
Come out and join our wonderful YA authors to play the dating game with some of the couple in our favorite YA books. A fun and interactive event for everyone.
Amanda Brice, Jennifer L. Armentrout, Miranda Kenneally, Jodi Meadows, Diana Peterfreund

3:00 PM – 4:00 PM, Tent B: Meet the Washington Romance Writers
Meet the Washington Romance Writers! From debut writers to multi-published bestsellers, these authors span the spectrum of publishing in nearly every category of America’s top-selling fiction genre. Our panel will give an in-depth look at the wide range of publishing options available in today’s changing marketplace, from traditional to digital publishing and self-publishing, as well as answer questions about their career paths and offering short readings from many different romance subgenres. Perfect for anyone who is a fan of romance, wants to learn more about what makes this successful genre tick, or who wants to get their feet wet as a writer. Come hear about our author’s journeys and the success they’ve achieved!

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Woke up to a lovely announcement in this morning’s Publisher’s Marketplace:

International rights: Fiction
Spanish rights to Diana Peterfreund’s FOR DARKNESS SHOWS THE STARS and ACROSS A STARSWEPT SEA, to Oz, by Philip Sane at Lennart Sane Agency, on behalf of Elaine Spencer at The Knight Agency.

That’s right! Both books will soon be published in Spain! Hola! Ole! Salud!

Yep, that’s my Spanish, right there. Or at least the celebratory bits. I can also say paella. Mmmmm, paella.

All of which is to say, I’m so happy that my books will be available for a Spanish audience. Thank you!

Posted in Uncategorized 2 Comments

So a funny thing happened last year at Dragon*Con. I was visiting the Pyr (a well-known SFF publisher, for those who don’t know) booth to meet E.C. Meyers, and he introduced me to one of the editors there, Gabrielle Harroway. Gabrielle, as it turned out, knew who I was and told me she was a big fan of RAMPANT, which automatically made me love her.

(I’m such an easy mark. Tell me you like my books and I’m yours forever.)

Gabrielle is also the Managing Editor for a small SFF press out of Canada called Dragon Moon Press, and she told me they were putting together a sequel to their anthology WHEN THE HERO COMES HOME, and would I be interested in submitting to it. The theme of the antho was, of course, stories about what the hero does after saving the world.

But you know me, I had to give it a twist.

Fast forward a few months, and I sent Gabrielle (and her co-editor, the famous writer and world-creator Ed Greenwood) a little story called “The Last of the Unicorn Hunters.”

Funny thing about that title. It was actually the original title for RAMPANT, but no one, from my agent down to the people at the bar (I want to say Scott Westerfeld, Justine Larbalestier, Naomi Novik, and Charles Ardai) liked that title. (Scott suggested BONEGRINDER, btw). And I’m really glad I didn’t end up using it for RAMPANT, because it actually fits SOOOOOO much better with this story.

“The Last of the Unicorn Hunters” takes place in the mid 1800s, soon after Astrid’s ancestor Clothilde Llewelyn’s famous and epic battle with the karkadann Bucephalus. (Those of you who have read RAMPANT know the legend that arose from that battle, as well as the consequences.) It is told from the perspective of an older, “retired” unicorn hunter named Jane. Jane has… problems.

One of the issues I keep coming back to in the killer unicorn stories is the toll the life of a warrior takes on the hunters–both emotionally and physically. I read too many fantasy novels where the heroine takes a licking and is back on the field the next day, with maybe a few bruises or a superficial wound to the forearm to show for it. But all you have to do is meet people in the military to know that this is not the case. Where I live, near a military hospital, I see the toll of war on the bodies of young men and women daily. The wounds our soldiers suffer are real, they are significant, and they last the rest of these teenagers’ lives.

And that’s what happens to the unicorn hunters, too. There is a reason so many hunters choose to “dodge the draft” as it were by relinquishing their powers. There’s a reason that characters like Isabeau can sleep at night because she believes that she’s actually saving these girls. The most common question I get asked by readers of the killer unicorns books (okay, second most common, after “When is the third book coming out?”) is what is going to happen to Phil now. Poor Phil, who isn’t magic. Poor Phil? Yes, what happened to Phil was rough, and it should never happen to anyone. But Phil is FINE. She’s going to go and live her life and go to college and play volleyball and generally be awesome. It is a testament to her character, I think, that she chooses to stay at the Cloisters (which is a very dangerous place for her, not to mention being the setting of the worst thing that has ever happened to her)  rather than just packing up and getting back to the extraordinary life she’s bound to have.

There is an expectation, I think, in a work of fantasy that having magic is the preferable option. In a book like Harry Potter — yes. Being a Wizard is better than being a Muggle. You aren’t actually relinquishing anything. But in the killer unicorn world, magic is dangerous. You have two options if you are born a hunter. You can spend your life hiding and hoping the unicorns don’t come and find you and kill you and whoever you happen to be standing near (a’la Wen in “The Care and Feeding of Your Baby Killer Unicorn”) or you can join the Order of the Lioness and risk battling with the unicorns and getting killed or maimed anyway. When I see people call Astrid whiny or reluctant, I think to myself — wouldn’t you be?

But I digress. Anyway: “The Last of the Unicorn Hunters” is going to be in the anthology WHEN THE HERO COMES HOME 2, put out by Dragon Moon Press this August! Here is the Table of Contents (including Mercedes Lackey, which just makes me squeal with excitement, because I read her when I was in middle school and now we’re going to be in a collection together!). They are doing something very cool with the antho, which is, if you buy the ebook, you get 8 extra stories that are ebook only (I presume this saves on printing costs).

So that makes 5 killer unicorn stories out in the world:

  1. The Care and Feeding of Your Baby Killer Unicorn
  2. Errant
  3. Hammer of Artemis
  4. On a Field, Sable
  5. The Last of the Unicorn Hunters

Which, if you add it up, is almost 40,000 words of extra killer unicorn content. (Rampant and Ascendant, for what it’s worth, are 108,000 words each). So that’s cool.

Posted in anthologies, unicorns 3 Comments

Just read a very interesting article on Kidlit.com about “juicing your emotion” — or, as my writer friends and I tend to call it (and as the writer of the article, Mary Kole, eventually does) “Going There.” Going There is the act of really soaking in the emotional potential of your story. A lot of times, when I read beginning writers, you see that they want to write about something devastating/horrifying/fabulous happening to the writer, but a the last second (especially if it’s a bad thing) they pull back, protecting their characters, protecting themselves, and cheating the reader.

The reader wants to wallow. They are reading your book because they want to feel all the emotions the character is going through.

And Going There is about more than emotion. It’s about setting up the scenes where you are fulfilling this promise. The example Kole uses in her article is about a book where a character has kept a devastating secret from others, though this secret is in danger of being revealed the whole book — and then the character never faces that scene where his secret is revealed. Now you can argue back and forth about whether or not this works — in the example given, it clearly worked just fine for some people (but not Kole).

But too many instances where the bad thing that’s in danger of happening doesn’t happen, and your reader starts to feel that any peril the character is in is fake peril. Let the Bad Thing Happen is part of Going There. In one of my favorite series, MIDNIGHTERS by Scott Westerfeld, one of the defining moments in the series is when Rex gets kidnapped by the Darklings and merged with a Darkling for nefarious purposes. Many years ago, I found out from Scott and his wife Justine that there was an early draft in which the other midnighters saved Rex in the nick of time, but… you know what? That wasn’t Going There enough. And Rex being merged with that Darkling totally changed the course of the story.

Go There. Let the Bad Thing Happen. It raises the stakes, it raises the emotion, it’s everything you want.

In other news, I just found out this morning that Dahlia Adler, of the Daily Dahlia (who I only met in person last month, but whose blog I’ve been following for ages), just sold her first book deal to SpencerHill Contemporary.

Dahlia Adler’s debut BEHIND THE SCENES, pitched as a reverse Notting Hill love story in which a girl takes an assistant job working for her celebrity best friend in order to pay her father’s medical bills, and falls for the hot famous costar, but risks losing those relationships and more when she can’t play by Hollywood’s rules, to Patricia Riley at Spencer Hill Press Contemporary, in a three-book deal, by Andrea Somberg at Harvey Klinger.

Read all about it here. Congrats, Dahlia!

Posted in other writers, writing advice 2 Comments

So I’ve been very quiet about what I’m up to, lately, and that is in large part because I’m not entirely sure what I’m up to, other than preparing for the release of ACROSS A STAR-SWEPT SEA in October. In May I’ll be attending the Frederick Book Festival and then BEA, in July I’ll be doing a signing at Hooray 4 Books, and in August I’ll be back down at Dragon*Con, and then October will be EXPLODING with events.

But the thing is that a writer views what’s going on very differently than a reader does. A reader sees the books a writer has coming out now or in a few months. But by the time a book is out, a writer is one or more books in the future already. Sometimes, I’ll be at an event, and someone will ask me a question about a recent release, and I will totally blank, because my head is full of something that happens three books down the line. This was especially hard when, say Secret Society Girl was just hitting the shelves in paperback in 2007 (which is when most people discovered the series) and I had already written Rites of Spring (Break) and was working on Rampant, so my head space was… wow, oh so different.

By the time FOR DARKNESS SHOWS THE STARS came out last June, I was two drafts into ACROSS A STAR-SWEPT SEA (one which had the FDSTS people in it, and one that didn’t, FWIW). I was lucky in this case that I was still working in the same world, with the same characters. It wasn’t like switching series.

I finished writing ACROSS A STAR-SWEPT SEA last summer, and it’s not coming out for another SIX MONTHS. In between then and now, I’ve written three short stories and three book proposals (that’s the first five chapters of three different books). By the time the book is out (again, in SIX MONTHS), I fully expect to have finished one of those books, and probably more besides.

But there’s this thing where I don’t talk about books until I know a) if they are going to happen and b) what’s going to happen with them. And that’s because I don’t want to promise anything to you that I can’t deliver. If I say, “oh, guys, I’m working on this awesome were-stingray book and it’s about XYZ” and then I don’t sell the were-stingray book or I can’t finish the were-stingray book (for all definitions of “can’t finish” from “the book breaks and I don’t know how to fix it” to “I haven’t sold it and instead I sold this other thing I have to write in order to keep food on the table”), then I feel like I let you down. So, for me, what works is to stay pretty under wraps about what I’m working on until I have a handle on it. I have, for the past decade, been calling this my “darkroom.”

There are many books in the darkroom. There are many nooks and crannies in the darkroom, and many reasons a book might be there. For instance, Star-Swept was in the darkroom for a long, long time, even though it was under contract, because I wasn’t entirely sure what it was going to be or when it was going to come out, and I didn’t want to, say, field the questions about “whether Kai and Elliot were going to be in this book” until I was sure they were.

YES, THEY ARE.

So that’s what’s going on here. I’m working on books, some of which I’ll hope to be able to tell you about soon. I’ve also sold a short story this year. It’s a unicorn short story, and I think it’s coming out before the end of the year. Yay. Finally, there’s going to be a digital prequel to Star-Swept, and all the details on that will be released soon, too.

As you can imagine, I have quite a few balls in the air right now.

Posted in PAP, star-swept, unicorns, writing industry, writing life, YA 3 Comments

Thanks to everyone who came out to AwesomeCon this weekend — and special shout-outs to the people who came to our panel on writing fantasy in novels and comic books on Sunday afternoon.

That’s you guys:

We will all spend the rest of our lives telling people we were at the first ever AwesomeCon DC. And that we saw this:

That is some good Boba Fetting right there. Awesome Leia, too. Can’t wait to see her Sansa Stark.

Speaking of Game of Thrones, we did a lot of that yesterday — speaking of Game of Thrones. Our panel was very George R. R. Martin-friendly. The panel, by the way, was made of up of our inimitable leader, Alma Katsu (The Taker, The Reckoning), Tom King (A Once Crowded Sky), comic book writer Justin Jordan, Allison Pang (of the Abby Sinclair urban fantasy series — which features a unicorn named Phin!), me, and Meagan Spooner (Skylark and the upcoming Shadowlark and These Broken Stars). On the panel we talked about: working for the CIA (which several of the panelists had done), breaking into comics, why we love fantasy, Game of Thrones, where we think fantasy is heading, Game of Thrones, women in fantasy, Game of Thrones, and self-publishing.

A lot of questions about self-publishing. It was actually pretty interesting because the book writers on the panel had only a marginal amount of experience with self publishing (I’ve done a few reprints of short stories and my FDSTS prequel), but according to Justin, self-publishing is how most comics writers get their start. It’s a bit more like, say, being a musician, where first you’re busking on street corners, then playing small gigs at coffee shops, etc., then graduating to bigger and bigger gigs and record deals and etc. So now you (and I) know.

After the panel, we went and signed books for a while. I met a bunch of girls dressed like Camp Half-Blood characters, but totally failed to take a picture. There was an Annabeth and a Hazel and another one from the new series I don’t remember. I really need to catch up on my reading.

I also saw an Amy Pond in the red plaid shirt with the hatch marks all over, an old Who with the scarf, a new Who with the fez (and a girl in a TARDIS outfit), and a Where’s Waldo with a Carmen Sandiego, but the highlight of the costumes for me was a little girl about three years old who was ROCKING OUT a full on Batman regalia (well, except for the blonde pigtails and the black leggings with little pink hearts all over them).

Then I took a stroll around the dealer’s floor. Went back toward the hall of fame and thought I might as well catch a glimpse of Nicholas Brendon (Xander on Buffy) while I was there. They’d put him at the very end of the row, so I’m strolling down, catching glimpses of Billy West, Phil Lamar, and Ernie Hudson (Ghostbusters). He’s got a big crowd around him, but I figure if I just walk past the end of the row I can see him, right? So I do, and as soon as I’m in his line of sight, blatantly staring, he smiles and waves at me…

And I walk into a wall.

You guys, I want to DIE. Nicholas Brendon is laughing at me, because I walked into a freaking wall.

So, points for Nick for being cool, and no points for me for completely losing mine. But, as Scott Tracey pointed out on Twitter, I can just call it an homage to Xander, because that’s totally something he’d do, right?

I mean, especially once he stopped having stereovision.

So that was Awesome Con. I wish I hadn’t been so flustered after that whole wall incident that I’d remembered to take pictures of the quilting booth, where someone had made these gorgeous quilted renditions of like, the TARDIS, and Serenity, and all sorts of cool stuff.

Bu I guess there’s always next year. Go Awesome Con, go! And next year, you all who missed it this time around (I’m looking at you, mother-in-law) can come with me and check it out.

______

In far less joyful news, I have learned that author E.L. Konigsburg passed away on April 19. I loved her Newberry Medal winning book, From the Mixed Up Files of Mrs. Basil E. Frankweiler. I read it many times growing up, and most recently, last fall, because it was a big inspiration for one of the projects I’m working on now. If you haven’t read it, I highly recommend. It’s what would probably be called “lower middle grade” these days — it’s the story of a girl, Claudia, who takes her brother Jamie and his card game winnings and runs away to the Metropolitan Museum of Art in New York City to have an adventure. And an adventure they have! It’s about independence and New York and art and Michelangelo, and I was more than a little like Claudia at that age, and I used to try to figure out how long I’d last in that place and what I’d spend money on (I tell you, I’d not be as obsessed with baths as she was) and to this day, whenever I’m in a restroom at a museum, I think about the whole “standing on the toilet seat and ducking” trick. Also, the whole thing is this beautiful nested epistolary narrative, and y’all know how much I love those. Rest in peace, Ms. Konigsburg. You brought this young reader much joy, and I can’t wait to read “Mixed Up Files” with my own daughter.

Posted in fabulosity, other writers 5 Comments

Sharon Roat, a newly minted Harper Children’s author with a most Dickensian name, recently interviewed me on her blog, Sharon Wrote. Sharon and I met each other at the NYC Teen Author Festival a few weeks back.

Today, writer and editor Dahlia Adler has interviewed me on her blog The Daily Dahlia. I think Dahlia has one of the smartest writing blogs out there, so after you’re done reading my interview, poke around and see all she has to offer. (Also, it’s the first time I think I’ve ever been called an “NA” author, and that’s simultaneously weird and cool. If SSG is “NA” now, does that mean I’m no longer a chick lit author? Ah, the slipperiness of genre!

Finally, years and years and years and years ago, I ran a series on my blog called “The Great Blog Voice Experiment.” I just found out today that contemporary YA and romance writer Jennifer Echols (I love her books!) is publishing a novel based on the snippet she wrote for me. How cool is that?

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A few months ago, I had the great privilege of reading HAMMER OF WITCHES, a brand-new debut historical fantasy from author Shana Mlawski. A BOY main character! A unique historical setting! Awesome cultural interaction with Jews and Moors in Inquisition-era Spain and first contact with New World peoples. An intriguing fantasy world! What’s not to love?

So I said so:

“Mlawski’s magical take on the exploration of the New World is a dazzling, richly-imagined tale about history, legend, and the fantastic power of story.” — Diana Peterfreund, author of For Darkness Shows the Stars

Her book came out April 9, so I thought this was an excellent opportunity to do a little interview with Shana, and give away a copy of this awesome book. Doesn’t that sound fun? I mean, more fun than traveling across the 15th century Atlantic on a boat the size of a teacup (more on that later).

Here we go:

DIANA: Your first book, HAMMER OF WITCHES (which I loved), has a truly original premise. It’s about a young man from Ferdinand and Isabella’s Spain who discovers his heritage is way more complicated than he thought, and ends up traveling with Christopher Columbus to the New World. Wow. Can you tell me about the seeds that grew into this story?

SHANA: Aww, thanks! The seeds for HAMMER OF WITCHES are really old. Years and years ago I traveled to Portugal and Spain and immediately fell for the architecture, of all things. I said, “I’ve got to set a book here.” The architecture I liked best was from the Moorish period, so I ended up reading a lot about Al-Andalus and the Reconquista (the series of wars various Spanish kingdoms fought to take the Iberian peninsula from the Muslim emirs).

Eventually it became clear that my imaginary book on the subject would have to be set in1492, because that year a gajillion things happened. For example, Ferdinand and Isabella finished up the Reconquista by taking Moorish Granada, the Inquisition started to really ratchet up, and we Jew-folk were booted out of Spain. Oh, and that Columbus guy did something.

At some point a mouthy14-year-old named Baltasar popped into my head and started being a nuisance. “Write me, write me!” he said. (But, you know, in Spanish.) What was I going to do at that point?  I wrote him.

DIANA: The concept of storytelling is central to Hammer of Witches. Magic is literally beholden to one’s knowledge of legends and folklore. Were you a big myth and fairytale geek growing up? What were a few of your favorites?

SHANA: Oh, yes. Big fairytale/mythology nerd here. Being a girl growing up in the United States in the 1990s, I was contractually obligated to watch every Disney movie ever made until the tapes croaked. My favorite was and still is Beauty and the Beast. (That library!)

DIANA: I think all writers are contractually obligated to envy Belle that library.

SHANA: But I was into Greek mythology for a while, too. My favorite was the tale of Orpheus and Eurydice, mainly because of a beautiful watercolor painting of Charon in my illustrated book of Greek myths. Related: Everyone should go listen to Anais Mitchell’s Hadestown right now. Ani DiFranco plays Persephone and Justin Vernon is spectacular as Orpheus. Go go go!

DIANA: You’re a well known online journalist through your work for Overthinking It, with ideas that have become somewhat of a meme in certain geeky cultures, like your female character flowchart and “strong characters, female”. When my husband found out I’d lent a quote to your book, he said “You never said it was Shana Mlawski’s!” How did you get involved in that site and what do you like best and least about online geek culture?

SHANA: Overthinking It—the website that subjects the popular culture to a level of scrutiny it probably doesn’t deserve—was the brainchild of a bunch of Yale alums who wrote comedic halftime show scripts for the Yale Precision Marching Band, which is as nerdy and wonderful as it sounds. I, too, was a YPMB scriptwriter, and I was asked to join the team. Before long I became known as “that wacky feminist” and “the one who writes about LOST a lot.” Overthinking It gradually grew to include non-Yalie writers and a hilarious podcast that I am too awkward to be involved with.

Online geeks are great! I love the memes, I love the (non-pornographic) fanart, and I love the enthusiasm. So infectious. I’d characterize myself as a pop culture geek for sure. Anyone want to talk about Adventure Time? Oh my gosh, SIMON. *tear*

We geeks just have to be careful to add to the conversation instead of shutting it down. Nitpicking, group-think, and -isms like sexism and racism narrow the conversation instead of broadening it. A fandom’s got to be inclusive. The more people involved, the better fanart you get!

DIANA: What do you think would be the worst part of traveling to the New World on one of Columbus’s ships (laying aside, for a moment, the potential of getting eaten by a Biblical sea monster).

SHANA: Assuming I wasn’t being attacked by sea monsters, demons, or powerful Moorish sorcerers, I’d still have a lot to worry about. Here’s a list of reasons you wouldn’t want to be on the Santa María:

  • The smell. Imagine three-dozen sailors who have worn the same clothes for six weeks. In August. In the tropics. Doing difficult physical labor. Also there was bilge. Bilge is a thing that exists.
  • The sleeping situation. Imagine three-dozen sailors sleeping on the deck of a ship roughly the size of a tennis court. The Spanish had not invented hammocks by 1492 (they needed to steal that brilliant idea from the Taino of the Caribbean), so sailors had to sleep on the floor, which often was quite wet. I’m enough of an insomniac as it is. Give me my pillow and fuzzy blanket or give me death!
  • The seasickness. I don’t think they had dramamine back then.

But by far the worst part would be the knowledge that there was a 99.9% chance I was never getting home. Contrary to popular belief, Columbus wasn’t the first non-Viking to try sailing west. We don’t hear much about the other guys, because they didn’t come back. There was little reason to think Columbus was going to have better luck. His calculations re: how long it would take to reach the Indies were laughably wrong. If there weren’t two continents blocking his way to Asia, he would have been screwed.

DIANA: What’s next for you?

SHANA: I’m working on some stuff (she says evasively). Not sure which false start is going to take, but I’ll let you know when I know. Up until recently I was writing writing writing at every waking moment, which was great. Now I’m taking more time to read and think. (And promote! Buy HAMMER OF WITCHES! Follow me on Twitter! Roar!)

DIANA:  You went to Yale! Did you ever read Secret Society Girl? If not, why the heck not? ;-) Also, what’s up with all us Yalies writing YA these days? We should start a volleyball team — it can be me, you, Barry Lyga, Jennifer Lyn Barnes, and Lauren Miller. We can play the BYU alums…

SHANA: I did go to Yale, but I can’t tell you if I’ve read Secret Society Girl. It’s a secret.

DIANA: Protip: that means either “no” or “I hated it but don’t want to be rude.” :-)

SHANA: Definitely want to join the volleyball team, though. We can be the Fighting Writers. The Writing Fighters? Hmm. I’m going to have to think about this.

_______

While Shana is thinking, let’s get this giveaway on the road:

a Rafflecopter giveaway

Posted in giveaways, other writers, YA 10 Comments

NOTE: Diana will NOT be attending the Annapolis Book Festival on April 13, 2012. A family conflict has forced her to cancel. Despite publicity you may have seen to the contrary, Diana will NOT be in attendance on that day, though there are a host of other YA authors who will still be there, so definitely go! She is very sorry for any confusion this may have caused.


AwesomeCon D.C.

Sunday, April 21, 2013, NOON. Room 102A – Writing Fantasy: Novels and Comics
In publishing today, fantasy is a crowded field that encompasses the supernatural and paranormal, high fantasy and more science fiction-ish elements such as time travel and alternate realities. Join novelists and comics writers to learn what both publishers and fans expect from writer today. Justic Jordan, Allison Pang, Diana Peterfreund, Meagan Spooner, Tim King, and Alma Katsu.


BOOK EXPO AMERICA

Thursday, May 30, 2013, 10 AM: Diana will be signing galleys of Across a Star-Swept Sea. Location TK.

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